Wednesday, 25 June 2025

You Can Clock Out for the Day Now

The best thing about the future is that it comes one day at a time.
— Unknown

This post was inspired by an evening conversation with Fran. Despite having achieved plenty that day, she felt the weight of the many items still on her to do list. We’d talk for a little while about this and that, but her mind kept returning to all the things she felt she had to do. It was overwhelming. I reminded her that it’s hard to feel you’ve achieved enough when the number of things to be done is uncertain or uncountably large.

“It’s okay,” I said. “You can clock out for the day now.”

The workplace analogy of clocking (or punching) in and out is a useful one. It helps us set boundaries for how much we can reasonably expect of ourselves. Our responsibility is to do what we can, not to do everything. Show up for the day and clock in, do the best we can, then clock out.

The amount we achieve in any twenty-four hours will vary. Some days we’ll have plenty of energy and focus. Some days our energy and focus is less, or other things crop up that need to be dealt with. Some tasks can be achieved in an hour or so. Others necessarily span days or weeks.

Whatever the circumstances, it’s okay to say enough is enough for today. I’ll pick it up again in the morning. To give ourselves permission to draw a line under the day, acknowledge what we achieved, and be gentle with ourselves for the things still to be addressed.

Tomorrow is another day.

 

Photo by Hennie Stander at Unsplash.

 

Wednesday, 18 June 2025

Do You Ever Just Do Nothing?

To do nothing at all is the most difficult thing in the world, the most difficult and the most intellectual.

— Oscar Wilde

The inspiration for this post came on one of my regular lunchtime walks. I was on a call with Fran, sharing the experience of my walk with her and catching up on our respective days. I was looking ahead to the weekend and mentioned how rare it was for me to not have a blog topic ready to work on. Fran thought for a moment, then asked “Do you ever just do nothing?” In that moment, I knew my search for a topic was over. It’s very rare that I take time to “do nothing.” It would be interesting to explore why that is. So here we are. There’s an irony, of course. I’m writing about doing nothing instead of actually doing nothing. Whatever that means.

Doing literally nothing would be akin to placing oneself in a sensory deprivation tank. I know people who’ve done that and found it valuable. I’ve thought of trying it myself, despite the less than restful experiences of Homer and Lisa Simpson. Fran allows herself spells of relative sensory deprivation at home. For twenty or thirty minutes at a time she lies perfectly flat and completely still. No pillows. Eyes closed. Eye mask on. No music playing. No TV. No extraneous sounds of any kind. She says she finds it helpful. I’ve not tried it but I know I’d hate it. Remaining absolutely still isn’t something I find easy at all. Fran doesn’t describe her technique as meditation but there’s some overlap. We used to meditate together regularly. I enjoyed the breath-focused techniques but Fran’s stillness sessions sound more like body scan meditation, which I always found excruciatingly unpleasant.

What else might we mean by “doing nothing”? Does reading in silence count? Possibly. Watching TV or movies? Probably not. Social media? No. Writing blog posts about doing nothing? Now we’re being silly. I asked Fran to expand on the subject.

“We are a culture,” she said, “that doesn’t allow quiet or silence. We constantly fill up any crevices of our lives with social media, TV, music, etc. [We need] sensory deprivation. Recharge. Like turning off one’s phone. And we wonder why we’re depressed or anxious. Eastern cultures do meditation. Even with yoga, one is DOING something.”

For Fran, stillness is key, but I rarely allow myself that kind of quietude. Indeed, I go out of my way to avoid it. I’m not easy in silence. It’s rare for me to sit and focus on a TV show or movie, but the TV will be on in the corner of the room for background sound. If not, I’ll have something playing on my headset. Music, perhaps, or one of the disaster documentaries that I love so much. (My fascination with disaster documentaries and movies deserves a separate blog post some time.) It’s not uncommon for me to have the TV on in the background and something playing on my headset at the same time.

I find background sound soothing. It explains why I’ve always found coffee shops and cafés so conducive to writing. I shared my top writing venues previously in Coffee and Scribbles: My Ten Favourite Writing Cafés. I’ve tried ambient sound apps including White Noise Pro with its range of café soundtracks, but nothing works as well as the real thing. I find speech, whether the sounds of coffee shop conversation or documentary narration, more soothing than music, with a few exceptions.

It’s one thing to find ambient noise relaxing. It’s another to explain why silence, even relative silence, is unsettling to me. I’ve no childhood memories or experiences to relate. The TV was on most of the time when I was growing up and I enjoyed playing records or the radio in my bedroom, but I studied in silence. I didn’t find the silence of the exam hall difficult in any way. I relished the opportunity to demonstrate my knowledge of the subject. I did well in examinations. I recall completing my final exam at university and wondering how I’d fare the rest of my life when my skills and progress would be measured by other means.

More generally, I’m not good at simply being in the moment. In Fran’s words, I “constantly fill up any crevices” of my life with doing. There’s an irony in saying that, because as I’ve explained in such posts as The Joy of Missing Out I don’t “do things and go places” any more. A week away in the UK once a year. Days out when I hire a car. But no grand adventures. No safaris or other trips abroad. No music festivals, sporting events, movies, or visits to the theatre. None of the kind of thing most people enjoy. But I’m constantly doing things, nonetheless.

What kind of thing? I’ve kept a daily diary for the past fifty years. I write less than I used to, largely because I process my thoughts and what’s going on for me in conversation with friends and in my blogging, but it still takes upwards of thirty minutes a day. I usually write my diary late evening, but have it with me most of the time and often journal several times through the day. What else? I have four or five friends I check in with every day or so. One I write to every week. Others I connect with less frequently, but who also mean a great deal. I’m arguably not good at maintaining my boundaries when it comes to the people I care about. But the time I spend with friends — mostly online but occasionally in person — is extraordinarily precious to me.

Blogging is also an important part of my life. I publish a new post every week and the current article is never far from my thoughts. As one of my favourite coffee mugs declares, “I might look like I’m listening to you but in my head I’m thinking about blogging.” I have a t-shirt with the slogan “LIFE IS SHORT. BLOG MORE.” Another that says “EAT. SLEEP. BLOG. REPEAT.” It takes time each week to explore relevant topics, capture my ideas and notes, actually write the post, edit and proofread it, add links and images, and schedule it for publication. Is hare posts on social media and handle feedback and comments. All that takes up a considerable amount of time. Blogging is more than something I do, though. In a very real sense it’s an expression of who I am.

Not everything I do is as worthwhile as my journal, my friends, or my blogging. There are times where I’m not doing anything useful, creative, or purposeful, and yet I’ll fill the gaps rather than allow myself time free from input and distraction. Much of my time on social media is valuable to me, whether that’s sharing my own content or keeping up with my friends and other accounts I’m interested in. There are a number of creators whose content I enjoy. That said, I spend a considerable amount of time online which isn’t adding much value to my life. These are the times where it would be healthier for me to disengage, put the devices aside, and rest. As I’ve suggested to friends on occasion, “Phone down. Eyes closed.” It’s easier to offer advice to others than take it yourself.

There are occasions when I accept the value of quiet time. Ironically, these tend to be when I’m online with Fran. In How Sharing Quiet Moments Can Deepen Your Friendship I described the first time this happened, at Fran’s suggestion. I enjoy such shared stillness but I rarely attempt this when I’m on my own. The most recent occasion was on a rare day trip to the coast. I’d taken my diary and at one point sat to journal overlooking the sea. For the most part, I walked the promenade taking in the sights and sounds. Was that doing nothing? Maybe. Later in the day I had a clearer moment of engagement. As I blogged later, “Without consciously deciding to, I found myself sitting on a bench in the park as maybe a dozen radio-controlled yachts raced back and forth across the water. For the first time in my day I felt fully engaged with what was happening around me.” I’m reminded of Otis Reading’s 1968 hit (Sittin’ On) The Dock of the Bay, released shortly after the singer’s death in a plane crash.

Sittin’ in the morning sun
I’ll be sittin’ when the evenin’ come
Watching the ships roll in
And then I watch ’em roll away again

This sounds like this is a positive advertisement for settling back and letting the world go by. On that same day at the coast, I watched a huge container ship as it made its way to the mouth of the river. But Reading isn’t watching the ships roll in and out in any healthy sense. His inaction is described as wasting time, and there’s a despair in his situation that no amount sitting beside the water is likely to improve.

I left my home in Georgia
Headed for the ’Frisco bay
I’ve had nothing to live for
Look like nothin’s gonna come my way

So I’m just gonna sit on the dock of the bay
Watching the tide roll away
I’m sittin’ on the dock of the bay
Wastin’ time

Sometimes, there’s a need for action rather than inaction. Value in movement rather than stillness, and peril in doing nothing. My situation has never been as dark as the character in Otis’ song, but I wonder what lies behind my uneasiness with stillness. What am I scared of?

I start from the position of wanting to use my time as fully and creatively as possible. Before Fran and I began writing our book, I took inventory of my time. I identified a two hour window in my evenings which I could reasonably anticipate being regularly and reliably available. Without it there’d have been no point beginning such a project. I’ve taken a similar inventory at other times. Despite not having any books on the go, there are very few “free” slots at all. When one opens up I tend to move something else into it. I might reach out to another friend, especially if we’ve not been in touch for a while, or look through my notes for blogging ideas. It won’t always be something urgent or especially worthwhile, but I’ll find something rather than close my eyes and relax. I don’t find relaxation especially relaxing! Filling the spaces also allows me to ignore or postpone less interesting or pleasurable tasks. It’s a strategy for self-distraction. This is perhaps a version of Parkinsons law. Rather than “work expand[ing] so as to fill the time available for its completion” I find other work to fill any gaps.

Having explored my own attitudes to doing nothing, I invited others to share what it means to them. The following are presented with only minor edits for clarity.

My take is that busyness has become an epidemic. It’s a badge of honor, it seems to me. If you’re not busy then maybe you’re lazy or just plain odd. Maybe if people weren’t so busy, they would actually have to face some hard facts about themselves. Maybe it’s a form of running from an unquiet soul or thoughts in their heads. Maybe it’s a fear of being still or really feeling their emotions. Maybe it’s all of the above. Currently, I’m listening to music. Am I really doing much of anything? I don’t know. I suppose music is something to do. If I did nothing in silence, I might lose my mind.
— Jen

During hard times, one of my good friends taught me a mantra that relates to this. “If in doubt, do nothing.” I’ve actually used it successfully many times.
— Louise

I very rarely do nothing because it’s boring ... what’s the point? But some of the things I do now I’m retired could be considered time wasting e.g. playing games on my tablet! P.S. I don’t count quiet reflection or meditation as “doing nothing.”
— Fiona

I have an unusual take on this. I’m so used to the passive-aggressive question from a senior member of my family of “what have you done on the weekend/time off/holiday, nothing?” that “nothing” has negative connotations. However, recently, I’m very aware that time to decompress is not only beneficial, but necessary. Whether it’s 15 mins just lying on my bed in silence, or half an hour listening to the radio or watching something utterly disposable whilst the boy is at the gym, disconnected from everything else, is good for my soul.
— Karl

I’ll present the final contribution separately as it’s a tad longer:

I recognise myself as doing nothing when I’m asleep. There are times when I can’t do what I want to do and no matter what the alternative is that alternative is always seen as doing nothing and I am temporarily frustrated as well.

No-one ever does nothing they just switch from not doing something to a different form of something they see as doing nothing. Quid pro quo apples and pears?!

The only times I do nothing are when I am either mentally or physically exhausted or both. Then it forces me to stop what I’m doing e.g. writing music or doing posts on the religious/atheist belief forums and then I downscale to laying down on the bed reading. Within that reading session I often fall asleep for short periods eventually waking up completely restored.

Even with that downscale activity I class it as doing nothing because I’m not achieving the actual goal I want to do all the time, and rationalise it out as passive background reading for the main goal I want to do all the time. It is rare I am not happy eventually doing that doing nothing thing even though I do class it as doing nothing. Joyfully giving in to your mental and physical state because you have to comes with a feeling of dignity. You can’t get mad with yourself for too long, you can only get even.

Doing nothing for me is a bad thing because I would like to do whatever I want to do 24/7 but I can’t. But immediately I rationalise this as a good thing because it shows I’m keen to live life no matter how I feel. Rock till you drop!

Life is a rollercoaster that moves up to higher states permanently on a daily basis. The do nothing points are the descent, and the doing something points are the a,scent to the higher place. That is a child to old person, cradle to the grave learning mode which is how I like to live.

Tactically… rocking ‘til I’m dropping is my daily mode of life. Strategically… rock ‘til you drop is living a full life and then death !

— Paul

I’m grateful to everyone who offered their thoughts, ideas, and experience, whether included here or exchanged in personal communication. You’ve given me plenty to think about and expanded my appreciation of what it means to do nothing. I’m unsure how much it will change how I approach my life but it’s made me more aware of how I’m choosing to fill my time. That has to be a good thing. If you missed the opportunity to contribute or have something to add now you’ve read the entire piece, Fran and I would love to hear from you, either in the comments below or via our contact page.

I’ll close with that classic invocation to inactivity, Busy Doing Nothing by songwriters Johnny Burke and Jimmy Van Heusen, as sung by Bing Crosby in the 1949 movie A Connecticut Yankee in King Arthur’s Court.

We’re busy doin’ nothin’
Workin’ the whole day through
Tryin’ to find lots of things not to do
We’re busy goin’ nowhere
Isn’t it just a crime
We’d like to be unhappy, but
We never do have the time.

 

Photo by Milan Popovic at Unsplash.

 

Wednesday, 11 June 2025

How Sad the Song: An Atheist Ponders His Mortality

To the dumb question “Why me?” the cosmos barely bothers to return the reply: Why not?

— Christopher Hitchens, Mortality

Death has been on my mind a good deal in the past year. I wrote two articles on end of life planning: Letting Go of the Balloon: End of Life Planning for the Overwhelmed and How Much Do You Want to Know Me? Preparing to Write My Obituary. I also explored how it feels to be in my sixties and took a look at how many years may be left to me. These are important topics and I enjoyed the challenge. But what of death itself? What do I think and feel about the fact that one day I’ll no longer be here? That’s what I want to address in this post.

The Stilling of the Pool

In an interview for The Guardian published in May 2011 (coincidentally the month Fran and I met) the late theoretical physicist Stephen Hawking expressed his views on the idea of an afterlife. “I regard the brain as a computer which will stop working when its components fail,” he said. “There is no heaven or afterlife for broken down computers; that is a fairy story for people afraid of the dark.” It’s a view very close to my own. I’m not afraid of the dark.

For me, death represents neither more nor less than cessation. The point beyond which the person ceases to be. My earliest experience of death was at the age of eighteen when my father died. He had been in and out of hospital for months. I remember walking from the ward one day certain I wouldn’t see him again. He died within days of that visit, I think, though my memory isn’t clear on that. I’m reminded of the opening lines of Albert Camus’ novel The Stranger (L’Étranger): “Aujourd’hui Maman est morte. Ou peut-être hier, je ne sais pas.” The most common English translation is: “Mother died today. Or maybe yesterday, I don’t know.” I’m unsure how I felt at the time, but I do know there was no sense of my father continuing in any way. He was remembered, mourned, and missed by those of us who were still alive. But my father, Norman William Baker, wasn’t there any more. He wasn’t anywhere. He simply wasn’t.

Decades later, a close friend died. She was in her early forties, one year younger than me. Way too young, as they say. I felt shock and profound loss, but as with my father there was no sense of her still existing in any way. This certainty was so profound I couldn’t write, speak, or even think the words “my friend is dead.” The is in that sentence implied a continuity that to me was blatantly untrue. I couldn’t say my friend was dead because she wasn’t anything. It was the same years later when my mother died. My father, my mother, my friend aren’t off somewhere “being dead.” They no longer are. And when my time comes I won’t be somewhere being dead. I won’t be. No afterlife, thank you very much. No spirit world. No continuation. No meeting those who’ve gone before.

This idea of death as annihilation might seem terrifying but I don’t find it so. It does, however, beg the question: what exactly is annihilated? What ceases at the moment of death? What was there before death that no longer is? We use a range of words to convey the something that makes us what we are. Words like consciousness, personality, essence, spirit, or soul. None of them help very much. We use them to label something about a person — what makes us unique — but they say nothing about what that something is.

Many years ago I read Yatri’s Unknown Man: The Mysterious Birth of a New Species. One line from the book has remained with me. In response to the question “Who am I?” the author offers, “I appear to be the process of reading this book.” That was my introduction to the idea of life, my own included, being not stuff but process. Movement. Flow. Patterns.

Quantum Field Theory (QFT) posits everything as fluctuations in quantum fields. What we think of as an electron is a localised excitation in the electron field. A photon is a localised excitation in the electromagnetic field, and so on. I’m not a physicist by any means but this representation of reality as waves is comfortable to me. Comforting, even. Popular explanations of QFT invite us to imagine these localised excitations as ripples on a pond. We’ve all thrown stones into a pool of water at some point in our lives. We’ve watched the ripples fan out across the surface, interacting with others until they fade to stillness. No one ever asks “Where did the ripples go?” We understand they weren’t material objects. They were patterns in the surface of the water. The water is still there, its surface alive to the possibility of further ripples in the future.

Likewise, everything that is me, everything I mean when I think or speak of myself, everything others mean when they think or speak of me, is not stuff but process. Movement. Flow. Patterns. Death is not a thing in itself. It’s our label for the process by which the ripples of our life fade into stillness. Every thought. Every memory I hold dear at the point of death. The patterns of connection, interraction, friendship, and meaning. All of it. Where did my father go when he died? My mother? My friend? Where will I go? These questions are as meaningless as asking where the music goes when it’s no longer playing. That song we love so much, the melody that evokes feelings so visceral we’re transported back in time, aren’t objects we can point to. They are movement. They exist as long as the waves that carry them are flowing. And so it is with us.

Explicable Without the Hypothesis

This post is subtitled An Atheist Ponders His Mortality but so far I’ve said nothing about god or religion. I’m grateful to my friend Paul Saunders-Priem for reminding me that there’s no necessary connection between belief in an afterlife and belief in god. Most religions include the belief in some form of continuation beyond death but as he put it, “Just because someone believes in the afterlife doesn’t mean they are religious or believe in God. It is entirely possible that life after death is a physical thing.” That’s why I feel it’s important to be upfront about my atheism. I don’t believe in an afterlife and I don’t believe in god. The one informs the other.

To be clear, atheism isn’t an alternative belief system. It’s defined solely by the absence of belief in a god or gods. As American science writer and historian Michael Shermer puts it, “There is no atheist world view.” This might be hard to grasp, especially if you’re a person of faith. But we’re all atheists when it comes to other religions. If you’re a Christian you know what it means not to believe in Allah or Zeus. If you’re a follower of Islam you know what it means not to believe in Vishnu or Wotan. As English actor Ricky Gervais pointed out during an interview with Late Show host Stephen Colbert, the atheist simply denies the reality of one more god than the believer.

Atheists rarely claim to be absolutely certain of their position. British scientist and educator Richard Dawkins made this clear in his book Outgrowing God: A Beginner’s Guide to Atheism.

When people say they are atheists, they don’t mean they can prove that there are no gods. Strictly speaking, it’s impossible to prove that something does not exist. We don’t positively know there are no gods, just as we can’t prove that there are no fairies or pixies or elves or hobgoblins or leprechauns or pink unicorns.

Dawkins’ atheism is founded in the lack of compelling evidence to the contrary. In an interview with Mehdi Hassan he declared, “I’m an atheist in the same way as I’m an aleprechaunist, an afairyist, and an apinkunicornist.” Challenged to say if he equated his lack of belief in god with his lack of belief in fairies and leprechauns, Dawkins replied “The evidence for both is equally poor.”

British-American author and journalist Christopher Hitchens made the equivalent point in a 2009 debate with American philosopher and Christian apologist William Lane Craig. The question being debated was “Does God Exist?”

Now it’s often said [...] that atheists think they can prove the nonexistence of God. This, in fact, very slightly but crucially misrepresents what we’ve always said. [...] We argue quite simply that there’s no plausible or convincing reason, certainly no evidential one, to believe that there is such an entity. And that all observable phenomena, including the cosmological one to which I’m coming, are explicable without the hypothesis.

My stance is far less scholarly and well-reasoned than those of Richard Dawkins or Christopher Hitchens, but I agree with them on this. I find no personal, philosophical, or scientific need for there to be a god or gods, and am unconvinced by arguments to the contrary. I’m as certain there’s no god as I’m certain there’s no continuity of the self beyond death. Which is to say, utterly and completely certain.

The Facts of Death

Everyone knows about the facts of life — the basics of sex education concerning puberty, sexual activity, and reproduction. The facts of life are taught in our schools, whispered in the playgrounds, stumbled into online, and — ideally at least — shared by parents with their children. But what of the facts of death? Where and how are they taught?

What does it mean to die? What is it like, not merely to think or talk about death but to do it. Because that’s what “we’re all going to die” means. Every one of us will experience what it is to die. You. Me. Everyone. I’m reminded of an episode of the British TV drama series Sharpe, based on the Napoleonic War novels of Bernard Cornwell. A wounded Sergeant Major Harper is duped by the formidable Irish priest Father Curtis into marrying his long-time partner Ramona before he supposedly succumbs to his wounds.

Curtis: “I now pronounce you man and wife. Now, get up and kiss the bride.”

Harper: “I thought you said I was going to die, Father!”

Curtis: “Sure, we’re ALL going to die, Patrick.”

I’ve never witnessed the moment of a person’s death and have no direct experience on which to draw. The closest I’ve come are two short books by end of life educator and author Barbara Karnes: Gone From My Sight: The Dying Experience and The Eleventh Hour: A Caring Guide for the Hours to Minutes Before Death. They’re written for those who will die — which is to say all of us — as well as for those who will be present in the weeks, days, and hours before a loved one dies. The facts of death are presented with compassion but they’re nevertheless hard for someone like me who hitherto had never thought much about what dying involves. I’d naively likened a good death — one experienced without unmanaged pain, injury, or trauma — to falling asleep. Drawing on her many years of experience, Barbara Karnes makes it clear there’s a great deal more to the physical process of even a good death than that. It’s not all pretty, but it is all honest and real. It’s what I needed to hear and I commend her books to anyone wanting information on what happens when the body is close to death.

It’s difficult to express how it feels to have even this modicum of understanding. This is what my body will go through, what I will experience, at the end of my life. My final days and hours. My final breath. The final beat of this heart. It’s a strange feeling. Not scary exactly, but strange. Sad, perhaps.

Of course, an ending free from pain and illness is by no means guaranteed. How must it be to face death on those terms? I’ve yet to watch it, but the documentary series Take Me Out Feet First has been recommended to me. It describes and discusses Medical Aid in Dying (MAID), a program currently available in several U.S. states. MAID allows a terminally ill, mentally capable adult with a prognosis of six months or less to live to request a prescription for medication they can self-administer so as to die peacefully in their sleep. I’m conflicted on the merits of such programs, sometimes described as assisted dying or death with dignity. Readers may be aware that a change to the law in England and Wales — the Terminally Ill Adults (End of Life) Bill — is currently making its way through the UK parliament. A separate assisted dying bill is being considered in Scotland. I may return to the topic in a future post. For now I will say that I fully support the right to end one’s life under certain circumstances, as I support the work of the hospice movement in managing end of life care. My concerns relate to the circumstances under which such provisions might be made available, the availability and funding of alternatives including hospice care, and the legal and medical safeguards. These are not theoretical or philosophical questions. They are questions about the very real and often not very nice facts concerning the ending of life.

There are many paths through life, each unique to the person walking it. But all paths lead to one inevitable destination. What options do I want to be available to my friends and loved ones when they get there? What options do I want to be available for me when my time comes?

It’s Only Life After All

Talking with family, friends, and colleagues has helped me understand more about my thoughts and feelings concerning the end of life, and appreciate there are few things more personal than how we approach the death of loved ones and prepare for our own. Fran shared two anonymous quotations with me which I want to include. The first is a reminder to live life purposefully, because we can never say when that final day will come.

One day, you are going to hug your last hug, kiss your last kiss and hear someone’s voice for the last time. But you never know when the last time will be, so live every day as if it were the last time you will be with the person you love.

It reminds me of this cover by British singer-songwriter Jasmine Thompson of the Meghan Trainor song “Like I’m Gonna Lose You.”

In the blink of an eye
Just a whisper of smoke
You could lose everything
The truth is, you never know.

Such reminders are welcome, because there will be a day that dawns without me in it. A final entry in the diaries I’ve kept since I was fourteen years old. Life will go on without me. That’s no easier a realisation for me than it was for Christopher Hitchens, here debating the question “Is there an afterlife?” with Sam Harris, David Wolpe, and Bradley Artson Shavit.

It will happen to all of us, that at some point you’ll get tapped on the shoulder and told, not just that the party’s over, but slightly worse: the party’s going on, but you have to leave. And it’s going on without you.

Fran pointed out to me that this is less of an argument for introverts who never felt comfortable at parties while they were alive! English comedian, writer, and actor Bob Mortimer expressed it in more homely terms. “I don’t feel scared about death, I just feel so frustrated and sad to think I won’t see how stories end. My children’s story. My wife’s. The football. All the stories going on in the world that you’re going to miss the end of.”

The second quotation Fran offered me speaks of legacy, the only sense in which it can be said we survive our death.

IF AN ARTIST FALLS IN LOVE WITH YOU, YOU CAN NEVER DIE.

During a wonderful conversation about end of life planning that included favourite music tracks and photographs, my desire for either a pyramid entombment or a Viking long-ship burial, whether or not human ashes are a risk to wildlife (they are), and open casket viewings (no thank you), my friend Jen brought things back to centre with five words she knew I’d recognise: “It’s only life after all.” The reference is to the Indigo Girls’ 1989 song Closer to Fine.

I’m trying to tell you something ‘bout my life
Maybe give me insight between black and white
And the best thing you ever done for me
Is to help me take my life less seriously
It’s only life after all.

The song reminds me that there’s no more (or less) meaning or purpose to my life than I choose there to be. As I’ve written elsewhere: life is not a lesson, though you can choose to see it as such. Life is not a trial, though you are free to live yours as though it were.

I’ll close with four words of mine from a long time ago. When my father died someone asked if I wanted to contribute to his eulogy. The only words I could find were “How sad the song.” I don’t remember if they were used or not. It doesn’t matter to me either way. But it may be that I understood more of what had just happened than I realised at the time.

 

Photo by Sasha Freemind at Unsplash.

 

Wednesday, 4 June 2025

What On Earth? The Art of Confusion and the Usefulness of Nonsense

A little nonsense now and then is relished by the wisest men.

— Roald Dahl, Charlie and the Great Glass Elevator

This post was inspired by a recent chat conversation with Fran. Apropos of nothing, she messaged me the following seven words.

Martin Camus cup straight out of HTLT

She’d found the entry in her calendar but couldn’t remember putting it there or what it signified. For several minutes, we tried to work it out. Fran thought the first three words might be a reminder to buy me a Albert Camus-related mug for my birthday. She knows I’m interested in the philosopher’s work, especially his doctrine of Absurdism. I have a Camus t-shirt and have blogged about him previously. Then again, Fran thinks of me as Marty not Martin, and why write cup instead of mug? HTLT refers to High Tide, Low Tide: The Caring Friend’s Guide to Bipolar Disorder but there’s no mention of Camus or philosophy in our book at all.

Something that is straight out of HTLT is the paradox of words and meaning. The following passage is excerpted from chapter 1 (“The Caring Friendship: Key Skills and Attitudes”).

When you think about it, it is amazing anyone manages to communicate anything meaningful at all. Each of us has our unique mix of thoughts and feelings, hopes, fears, joys, pains, plans, worries, and views about how the world works. We scarcely understand them ourselves, yet we hope to share them with someone who has their own mix to contend with. And the only tools we have are the sounds we can utter, and the marks we can make on paper or a computer screen. It is no wonder we struggle at times!

The question isn’t so much what do those seven words mean, but how do any of us convey meaning at all? Given the immensity of the challenge, the language we use matters. This is never more important than when discussing our lived experience. As a friend reminded me recently, certain words — for example survivor rather than victim in the case of people who have experienced rape, abuse, or trauma; or the appropriate diagnostic labels when discussing mental health — affect how we think about ourselves and relate to one another. There’s a great deal at stake. Communicating our experiences effectively can counter ignorance, stigma, and discrimination. The same friend shared with me a powerful quotation by Brené Brown: “One day you will tell your story of how you overcame what you went through, and it will be someone else’s survival guide.”

Fran and I were aware of this responsibility when writing our book. The Introduction includes a section on perspective and language. In it we described key terms and outlined our approach to the language of illness and wellness. It’s something I think about a lot when I’m blogging. But if it’s so important to use language carefully and clearly, what about nonsense? What’s the value of apparently contradictory, ridiculous, or paradoxical language? Why was I so excited at Fran’s cryptic calendar entry?

I’ve always loved puns and wordplay. I still recall my delight as a teenager when I discovered the poetry of American humourist Ogden Nash. This classic remains a favourite:

The Termite

Some primal termite knocked on wood
And tasted it, and found it good!
And that is why your Cousin May
Fell through the parlor floor today.

An even shorter pest-related poem sometimes incorrectly attributed to Nash, is “Lines on the Antiquity of Microbes” (also known as “Fleas”) by Strickland Gillilan. It’s undeniably silly but I love it.

Lines on the Antiquity of Microbes

Adam
Had ’em

In my teen years I wrote silly poems for and about my school friends, recounting our exploits, foibles, and love lives (or lack thereof). I wish I’d kept copies of them. I’m not a fan of all nonsense poetry, however. Lewis Carroll’s “Jabberwocky” from Through the Looking Glass, and What Alice Found There leaves me cold. The opening lines will suffice.

Jabberwocky

‘Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe:
All mimsy were the borogoves,
   And the mome raths outgrabe.

My distaste for Carroll’s wordplay is arguably because to me the poem is devoid of meaning. There’s no mystery, nothing to puzzle over or figure out. It’s not invitingly obscure, it’s a chaotic jumble of nonsense. More generally, I can’t abide what I’d describe as crass or contentless silliness. Slapstick comedy. Pantomime. A number of TV shows spring to mind, including Monty Python. Python’s humour might be “clever” but I could never engage.

In contrast, as a teenager I was greatly taken by the American poet and critic Ezra Pound. A collection of his poetry in the school library engaged me so much I neglected to return it when I left. As obscure — and arguably pretentious — as his writing can be, I felt there was profound wisdom and meaning there, if only it could be decoded.

Canto I

And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us out onward with bellying canvas,
Circe’s this craft, the trim-coifed goddess.

As well as puns, intelligent silliness, and hidden meaning, I’ve always been fascinated by paradoxes and mind games. Amongst these I’d include Russell’s paradox (check out these videos by Up and Atom and Jeffrey Kaplan), infinite loop paradoxes (Tired Thinker), and Gödel’s incompleteness theorum (Veritassium and Numberphile). I’d also include Buddhist koans, although it’s not a topic I’m very familiar with. The following passage from 10 Buddhist koans, and why understanding them is pointless serves as a useful introduction.

Humans like to know what a sentence means. Sometimes we’ll go to great lengths to derive meaning from a group of words. More often than not, however, we’ll take the easiest possible route to understanding; the less neurologically taxing, the better. This opens the door to misunderstanding, yet it’s also how our brains are built. Spending time on sentences is the work of academics and poets, not commoners. Still, we all (hopefully) want to know what the other person is trying to convey. The koan is antithetical to such communication.

As in good politics and good philosophy, the koan was designed to inject “great doubt” into the adept’s mind. Koans are sometimes labelled “nonsensical,” though that misses the point. Logic is not the goal here. As renowned Sanbo Kyodan teacher, Philip Kapleau, writes, “the role of the koan is not to lead us to satori [enlightenment], but on the contrary to make us lose our way and drive us to despair.”

The article includes the familiar challenge, “Two hands clap and there is a sound. What is the sound of one hand?” Of the rest, this one resonates with me:

Question: Without speaking, without silence, how can you express the truth?

Response: I always remember springtime in southern China. The birds sing among innumerable kinds of fragrant flowers.

As the article’s author points out, “Reading [these koans] on the screen is purely for curiosity’s sake. [...] ‘sitting with them’ is the real utility, though thinking you’ve ‘got’ them defeats the purpose.”

There’s a similar crisis of contradiction in the Absurdism of French philosopher Albert Camus, whose name features in Fran’s calendar entry. To the extent that I understand his ideas they accord with my own. As I’ve written previously, “We have an innate need to find meaning and value in our lives, but according to Camus, the search is futile because the universe itself is purposeless, meaningless, irrational, and utterly indifferent to our existence. Camus describes this as the paradox of the Absurd.” The koan-like absurdity is expressed in the closing lines of The Myth of Sisyphus, in which Camus uses the ancient tale of Sisyphus to stand for the human condition. Fated for eternity to push a boulder up a mountain only to have it roll back down again, Sisyphus is nevertheless able to find peace.

The struggle itself towards the heights is enough to fill a man’s heart. One must imagine Sisyphus happy.

I have those words on a t-shirt. I wear it to remind myself of the paradox of searching for meaning in a universe devoid of any.

I’ll close with an account of the image I selected for this blog post. The sculpture of the word “what” on its low plinth works as a visual pun for the first three words of this post’s title, “What on earth?” That would have been enough, but a little investigation led me further. Created by KHBT, the sculpture was part of London’s Culture Mile trail in 2020. It’s the first of a series of sculptures which together form a quotation from Virginia Woolf’s novel Jacob’s Room: “What are you going to meet if you turn this corner?”

The idea of following the word trail through the city echoes the way Fran and I attempted to make sense of her calendar entry, considering it one word at a time. We remain uncertain and perplexed. Likewise, the tourist is led not to an answer but to a question. The final scupture in the trail — the question mark — stands alone as an invitation to further exploration and adventure. There are no answers, the trail suggests, only more questions. This is something I’ve explored previously in The Future Will Be Confusing.

At this stage, I hope Fran and I never solve the mystery of her calendar entry. As I told her at the time, “No matter what the truth of this is, the fact that neither of us know what it means is even more exciting!”

 

Photo by Rhys Kentish at Unsplash.