Showing posts with label Maine. Show all posts
Showing posts with label Maine. Show all posts

Wednesday, 2 October 2024

At the Going Down of the Sun: Attending Twilight in the Park With My Best Friend

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.

— Laurence Binyon. “For the Fallen.”

Fran and I have shared a great many adventures, trips, and experiences in our thirteen years as friends. Few have been as moving as accompanying her to the recent Twilight in the Park event in Fran’s home city of Portland, Maine. Organised by the Hospice of Southern Maine, Twilight in the Park is a community event to remember and celebrate loved ones who have died, and their families, friends, and caregivers. This year’s event was held on Saturday September 29 in Deering Oaks Park. Fran was keen to attend, and took me with her virtually by video call. The following details are from the hospice website.

Imagine thousands of luminarias glowing warmly at dusk, each light representing someone who has brought love and light into our lives. At Twilight, thousands of luminarias are lit, each one bearing the name of a loved one being remembered, or a special person being honored. Many find this evening to be a profound and transformative experience in the process of healing. Twilight is open to everyone, regardless of whether you’ve had a loved one in our care.

The event was very well attended. People were standing, sitting, or walking slowly around the empty splash pool which was lined with lanterns. We bumped into a lady Fran knew who was there with her friend. Fran introduced me as her best friend from England, and I got to say hello. I’m always surprised at how effortlessly people accept my virtual presence when I’m out with Fran. We found a vantage point on the bridge overlooking the pool. The event began with the song Somewhere Over the Rainbow, followed by a welcome by Mark Jones, Board Chair of the Hospice of Southern Maine. There were further songs, including The Beatles’ Let it Be, and words of remembrance and tribute by HSM Chaplain Larry Greer. The words weren’t always perfectly audible to me over our video call but I recognised Laurence Binyon’s “For the Fallen.”

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.

Fran found the rendition of Taps by Sgt Bryan Noyes especially moving. The twenty-four note melody was used as call for lights out during the American Civil War. Today it’s best known as the nation’s official Song of Remembrance and is played to remember those who have given their lives in the service of the United States.There was also a reading of the poem “Four Candles.” This was new to me but I found it very evocative.

The first candle represents our grief. The pain of losing you is intense. It reminds us of the depth of our love for you.

The second candle represents our courage. The courage to confront our sorrow, to comfort each other, to change our lives.

The third candle we light in your memory. For the times we laughed, the times we cried, the times we were angry with each other, the funny things you did, the caring and joy you gave us.

The fourth candle we light for our love. We light this candle that your light will always shine. We think of you each day and share your memory with our family and friends.

We cherish the special place in our hearts that will always be reserved for you. We thank you for the gift your living brought to each of us. We love you. We remember you.

— Anon

As the event played out below us, my thoughts were with people I’ve known over the years who are no longer here. My dear friend PJ. My beautiful friend Julieta from Mexico, a talented artist and devoted mother. The lady on whose Facebook page Fran and I first met. The sister of a mutual friend, whose life was being celebrated elsewhere by her family and friends that same day.

I thought too about the end of life and legacy work Fran and I have been doing recently. The blog posts I’ve written (to be published later this month) about end of life planning in general, and how I want to be remembered by those I’ll leave behind when the time comes. It came to me that remembrance needn’t be limited to a single event shortly after someone dies. Lives can be commemorated and celebrated time after time, in different ways and by different people, individually or together. That’s helpful because it alleviates the pressure on those responsible for arranging things once we’ve departed. It‘s not necessary to get everything right and complete in one go.

It was dark by the time the chaplain gave his closing remarks. I walked Fran back to her apartment, each of us lost in our individual thoughts, memories, and feelings. I’m grateful to Fran for taking me with her, and to the Hospice of Southern Maine for putting on the event. If you’d like more details of their work, check out their website.

 

Video call screenshot by Martin Baker.

 

Wednesday, 3 July 2024

Six Feet Above: A Conversation With Ellis Ducharme

... at the beginning where I was doing it every day like clockwork, it entirely carried me out of that low spot, and I believe that it saved my life.

— Ellis Ducharme

Fran and I recently shared our experiences visiting the Portland Museum of Art and the Laing Art Gallery here in Newcastle upon Tyne. Continuing the Art of Friendship theme, we’re delighted to showcase photographer and videographer Ellis Ducharme, whose exhibition Six Feet Above showed through June at the Peaks Island library in Maine. The website described Six Feet Above as “a collection of thirty-six photos from a personal project to fight depression and raise awareness of mental health. Ocean themes and many cityscapes focus on finding beauty in places most deem undesirable and ugly.”

Fran lived on Peaks Island for many years. Although I’ve never visited in person, I feel a great affection for the island as Fran’s shared so much of it with me. She still visits regularly and attended several of this year’s PeaksFest events, meeting old friends and making new ones. She spoke with Ellis about his exhibition and how photography helped him climb out of depression. She shared with him her experience living with bipolar disorder, commenting that it was nice to meet “a fellow understander.”

Afterwards, I reached out to Ellis and invited him to share the story behind his work. He described how the project began seven years ago when he was going through a particularly difficult time.

The project started and pretty much concluded as a method to keep my spirits up, and was never really intended to see the light of day. I’ve suffered from severe depression from an early age, and at the time that I started this project I was at an all-time low.

I was working a one-on-one job with an employer who made me feel worthless on a daily basis. Since my wife was working three jobs and my social circles were slim at the time, my employer was the only person I was seeing regularly, and I was very susceptible to her comments about my value. I truly didn’t think I was capable of doing anything right, and I was ready to end things.

Ellis described how his wife suggested a way for him to regain a sense of agency in his life.

Thankfully, my wife could see what was happening to me, and she suggested that even though I was incredibly busy and didn’t have time for much, I had time to go out and take a single photo each day just to prove to myself that I did have the ability to be creative and make my own decisions. Additionally, this was a task where nobody could tell me I was doing it wrong. I had complete control over this one aspect of my life.

So, the next day after work, I just remember walking past my car and out into the little downtown of Biddeford, Maine where my office was. Camera in hand, I just started aimlessly walking through back alleys and parking lots, looking for something to shoot. I settled on the spire of Biddeford City Hall, owing to my love for the architectural style of the area.

At first, I wasn’t very sold on this photo, and admittedly, it is far from the best photo in the set. But I brought it home, retouched it, and posted it on my Facebook along with a brief but honest explanation of my hopeful commitment to do this each day, and why I felt it was important for my well-being. As soon as I posted it, I felt incredibly empowered and clung to that feeling.

I would continue on this schedule for about three years, taking a single photo somewhere in the natural span of my day, retouching it and posting it with a timestamp and where my mindset was that day. I still will occasionally add to this series, but at the beginning where I was doing it every day like clockwork, it entirely carried me out of that low spot, and I believe that it saved my life. I owe that to my wife, Justina.

Ellis’ account reminds me of Fran’s experience when she lived on Peaks Island. Emerging tentatively from a desperate winter-long depression, she’d leave her little house to walk on the shore. As we describe in our book, the haiku poems that came to her on those walks fed the tiny flame of hope that there could be better times ahead.

The wild, personal, and passionate poetry which flowed during Fran’s major episode of mania ceased when she fell into depression. Her creative voice was silenced for months. When it returned it was completely transformed. The haiku forms that emerged as she began to climb out from depression were more than descriptions of the island scenery around her. They were Fran’s attempt to find a reason to go on living.

These poems were written on Centennial Beach, a short walk from where Fran lived at the time. She would return home, show me her latest poems, and then share them on her social media page. It was her way of reaching outward again. As she said later, “I was trying to save my life, to get out of the house onto Centennial and wait for the haikus to come. That was all I had.”

High Tide, Low Tide

Fran used her fingers to remember the lines until she returned home and could write them down, a memory technique she uses to this day. Despite differences in their situations, Fran and Ellis are describing very similar experiences, each grounded in their creative response to the world around them. It’s clear that Ellis’ project has had a long-term positive impact on his life and wellbeing.

As of today, there are almost 900 photographs, most of which I can still remember what was going on in my life on that day, how I was feeling, and what I was going through. When I started this, I was in a place where I was questioning my own validity and how real of a person I even was. Having this concrete evidence of my mental journey documented in a way that only I can decipher has been very grounding.

Ellis selected five photographs from the collection.


1-4-17 — Biddeford City Hall, the first photo
1-8-17 — Bailey in the bath
2-24-17 — One of my favorite photos in the set, visually
9-20-17 — Photo taken the day I left the job that made me start this series
4-8-17 — Photo taken on an especially low day

Fran and I are immensely grateful to Ellis for sharing his story and work so openly. If you’re interested to learn more, check out his website, LinkedIn, Instagram, and Flikr.

Over to You

Does Ellis’ story resonate for you? What activities have helped you with your sense of self-worth when you’ve been going through a difficult time? Fran and I would love to hear from you, either in the comments below or via our contact page.

 

Photo of Ellis Ducharme at the Peaks Island library by Fran Houston. Other photography by Ellis Ducharme.

 

Wednesday, 22 May 2024

The Art of Friendship: Exploring the Portland Museum of Art and the Laing Art Gallery With My Best Friend

Laing Art Gallery, Newcastle upon Tyne, England

Fran and I enjoy sharing our lives as much and as richly as possible. That’s not always easy, given that we live three thousand miles apart, but few things are out of scope if you approach them with a little creativity! We often meet on video calls while we’re out and about, either locally or when we’re on vacation. The sounds of traffic and bird song. The trees and flowers, houses and gardens. Public transport and passers-by. All these and more take on a fresh vitality when shared with a friend, especially one who lives on the other side of the world. In this post I‘d like to share visits we‘ve made to the keynote art galleries in our respective cities: Portland‘s Museum of Art, and the Laing Art Gallery in Newcastle upon Tyne.


Robert Indiana's Seven outside Portland Museum of Art, Portland, Maine

The Portland Museum of Art

Earlier this year, Fran took me to visit the Portland Museum of Art. It wasn’t the first time we’ve visited an art gallery together, but it was my first time at the PMA. Fran showed me most of the exhibits. I enjoyed the wide range of paintings, including land and seascapes such as Georges Island, Penobscot Bay, Maine by Newell Convers Wyeth, and the drama of Winslow Homer’s Weatherbeaten. No less interesting were more modern pieces, such as Cheryle St Onge’s Untitled from the series Calling the Birds Home in which she documented her mother’s descent into dementia. Bernard Langlais’ collection of bird and fish sculptures brought our visit to a delightfully quirky close.

Bernard Langlais, Untitled

Outside, we paused to appreciate Robert Indiana’s impressive steel sculpture Seven. I was interested to see it because a few years ago Fran and I read The Isolation Artist, an account of Indiana’s final years at Vinalhaven in Maine, written by arts writer and storyteller Bob Keyes. Bob interviewed us in 2019 for the Maine Sunday Telegram to discuss our book and our experiences as long-distance friends.


Laing Art Gallery, Newcastle upon Tyne, England

Laing Art Gallery

I was able to return the favour a few weeks later when I visited a new exhibition of work by English artist J. M. W. Turner at the Laing Art Gallery in Newcastle. It was my first trip into the city in more than two years, apart from my covid jab late in 2022 and two opticians appointments last year. I made the most of the adventure, treating myself to breakfast at my favourite city coffee shop, and a drink down by the Quayside before heading home. The exhibition was the main focus of the day, though. I’ve been fascinated by Turner since watching Timothy Spall’s mesmerising performance in the title role of Mike Leith’s 2014 drama Mr Turner.

Because of the five hour time difference between Newcastle and Portland, I had chance to explore on my own before connecting with Fran. It’s fair to say that I was initially frustrated because it was difficult to get close to the keynote work The Fighting Temeraire due to gallery staff being filmed talking about the exhibition. I do think that could have been done before opening to the public! That said, there were plenty of other works to look at, and filming had completed by the time I went back with Fran. Note to self: maybe don’t go to a new exhibition on the first day, within an hour of the doors opening!

J. M. W. Turner, The Fighting Temeraire

The fact that I’d looked around first helped me describe some of the highlights and background to Fran. HMS Temeraire played a key role in the Battle of Trafalgar. Turner’s painting shows her at the end of her life, being towed up the Thames by a steam tug to be broken for scrap. The exhibition includes models of the ship made by prisoners of war.

Many of the paintings and sketches in the exhibition are on maritime themes, which connects Turner’s masterpiece with the north-east’s proud history of shipbuilding and seafaring. The Temeraire was built in Chatham, but the tugs which towed the ship to its final resting place were from this region. Her fame reflects the fact that she was the only ship mentioned by name in Vice Admiral Lord Collingwood’s despatch from Trafalgar after the battle. Collingwood was Nelson’s second-in-command. He was born in Newcastle and is commemorated by a striking monument at Tynemouth which overlooks the mouth of the river. The Laing houses Chris Killip’s photography exhibit The Last Ships which documents the decline of shipbuilding in the region in the 1970s and is well worth a visit.

John Martin, The Destruction of Sodom and Gomorrah

I enjoyed taking Fran round the rest of the gallery too, pointing out pieces I knew from when I used to visit far more regularly. We sat to experience John Martin’s epic painting The Destruction of Sodom and Gomorrah. At the touch of a button, we were immersed in crashing sounds and flashing lights that echoed the thunder, lighting, and chaos depicted in the painting. Fran was fascinated by a large, intricately carved piece by Gerrard Robinson depicting a boar hunt. Nearby, I pointed out her silver Best Friend Award which, sadly, must remain in its display case as it’s too large for me to mail to her. (It’s possible the piece has a different provenance, but to me it will always be Fran’s Best Friend Award!)

Two powerful modern works engaged our attention. Shot Boy by Ken Currie is a tragic yet hauntingly beautiful painting which depicts the body and spirit of a teenaged boy killed in a firearms incident. Beside it hangs Dysphoria by local artist Lizzie Rowe. I’ve long been fascinated by this work. The large (8ft by 8ft) canvas is hung somewhat claustrophobically in a corner near one of the doors, which makes it difficult to study for any length of time without having to step aside to let people past. The vague frustration and unease this evokes is in keeping with the painting’s theme.

Lizzie Rowe, Dysphoria

Seeing the painting for the first time in years was made all the more poignant because the artist died in December 2023. While researching this post I came across a beautiful celebration of Lizzie Rowe’s life and work on Fiona Mcandrew’s Coffee Crafts and Chats YouTube channel. It’s clear that Lizzie was very well-loved. The tribute helped me feel I knew her just a little. It also reminded me of what Fran and I hope to portray in all we do: the importance of friendship, caring support, and connection.

Turner: Art, Industry and Nostalgia is on at the Laing Art Gallery in Newcastle until September 7, 2024. Admission charges apply.


Over to You

Being in a mutually supportive friendship isn’t just about being there for each other when times are hard. It’s about sharing the good things too! In this post l‘ve related two recent occasions where Fran and I spent time together despite living thousands of miles apart. We invite you to try it out, if you‘re not already doing so. We‘d love to hear your thoughts and experiences, either in the comments below or via our contact page.

 

Photos and video call screenshots by Martin Baker.

 

Wednesday, 24 January 2024

Lessons of the Night

By Fran Houston

Sometimes I wake up. Sometimes not. I hold onto the bed for dear life. I am familiar with the night and its darkness. As a child I lived in the basement of our house as a mole does in his tunnel and could navigate through the narrow path of jagged, stacked boxes to the bathroom in the dark. The lights didn’t work.

Wrapped in my blanket of night, I am safe and warm. In the night are dreams. Dreams of all the things that can’t be done in my body because of its restrictions of fatigue and pain. I indulge my soul’s longing to fly.

The day hurts my eyes with its stinging brightness. Music hurts my ears with its loudness and overstimulation. I like the quiet of night.

I have chronic fatigue syndrome, fibromyalgia, and bipolar disorder. They operate as independent sine waves. At any time, I can be exhausted and manic, energized and depressed. Every combination imaginable. The cycles can last for days or months or even years. It’s an odd assortment.

I had a mate. I had a family. I had a home. I had a career. I had a dog. I lost them all.

I made $14,000 in the last week I worked in the real world as an electrical engineer. Now I barely make that in a year. Fifteen years ago, I paid tens of thousands of dollars to get my health back, conventionally and alternatively. It took ten years to get an accurate diagnosis. Treating bipolar with antidepressants makes it much worse. So not fun to have cfs and fibro creep in alongside.

I finally went to the backwoods of Maine for a year and lived in a camp on 189 acres with no running water and no electricity — an attempt to find my baseline, fight my demons and find the night, or die. No TV, no radio, no books, no writing, no nothing. Just me and myself, grapes and garlic. I danced naked in the woods in the pouring rain. I shoveled snow thirty feet out to the outhouse to go to the bathroom. I made snow angels under the full moon. I watched frost form on the windows. I gazed for hours at the cherry wallpaper. I slept twenty hours a day. I dropped each thought as though dropping a hot coal. I’d think the same thought again; drop the thought again, over and over. I would not get up until I felt the internal impulse to do so. I fasted. I had a sauna each week — the only excursion besides getting water from a spring. And successfully navigated men who were intrigued and unsavory. I reached the edge of madness. I waited for the Jesus experience. There is no god; there is just life that flows. There is no hope. That was the beginning. Stop the search. For god. For healing. Just stop. The maple tree doesn’t want to be an oak. They are what they are.

I moved to an island off the coast of Maine in September 2003. My dad died that Halloween night — the night when the veil between the world of the real and the unreal is thinnest. There was an aurora borealis that evening. Beauty without effort.

I lost my mind. Consumed with thoughts of jumping off the boat, a frustrated friend asked, “Why don’t you?” I panicked.

I found the psychiatrist I still see now. He doesn’t see anyone anymore, but the deal was that I agreed to be in a fishbowl where he trained six to eight other psychiatrists for twelve sessions, and then I would have him for life. He is very conservative with meds, which I am very grateful for, although at times it’s enraged me. I think that psychiatrists nowadays are too pill pushy. Meds take a long time before you can see any results. One has to courageously wade through a myriad of side effects. He also is very relationship-oriented, which few are. He is respectful of me as a human being not just as a patient. Also, making an eye-to-eye commitment to him to stay alive has been a critical component of the process.

I began intensive group therapies. I got pissed off a lot. It was a full time job. I was exhausted. I was depressed. Having to do all this work. Needing to do all this work. No hope of getting better. Homework. It was worse than Engineering school. Cognitive Behavior Therapy made sense though. Event. Feelings. Thoughts behind feelings. Change the thoughts. Huh. Seeing others who’d been stuck in their ruts changing. Me changing. Huh. Not so depressed. My mind actually thinking thoughts other than depressed ones. How refreshing.

Chronic fatigue syndrome can mean days or months bedridden. Or can be as simple as feeling like there are cotton balls behind my eyes and mud running in my veins. Pain is always present. I take Advil when it is too much, or something else. I see an osteopath, acupuncturist, and chiropractor regularly. Once when I was at dinner with a friend I fell asleep. They ushered me out of there swiftly. I’ve been propped up in lazy boys in the corner with a blanket at parties just to be able to attend. Then again friends have broken up with me because of my proclivity to say no, or act strange. As a fellow cfs-er puts it, “I feel minimally crappy today.”

Bipolar I is like mowing the lawn in the winter naked. I have bipolar II. An example of my mania is when I was out in front of my home on the phone talking wicked fast with a depressive friend, and I was frantically picking the heads off dandelions while every square inch of countertop in my home was littered with furiously ink-covered yellow stickies full of ideas and things to do and be and dreams. I am like a pit bull with a bone. Another example is when I found out about the United Nations International Day of Persons with Disabilities on December 3. I found out that VSA (Very Special Arts) out of Washington had a video that would be shown in seventeen countries internationally. My mania launched me into a full-blown attempt to notify media and government outlets seeking coverage for this event. I sent cryptic, confusing e-mails and was very agitated. I wasn’t very successful, and thought that those who I contacted thought I was a nutcase. I felt like a mouse when a cat is playing with it and then the mouse just lies there stunned.

Depression was my best friend, the one I was most comfortable with. It’s been a lifelong companion. A favorite blankie. The one I return to for wisdom. Deep and dark. I remember the pain of trying to wash a fork amongst all the dirty dishes in my sink, wrapping myself in a blanket, wearing clothes that hadn’t been washed in a month, then opening a can of tuna and sitting on the cold floor to eat it. I told a depressed, suicidal friend once that it took more courage to make a cup of tea than to kill yourself. I still do have a stash of pills because I do feel that people should have that right, especially when you are old and everyone else is making decisions for you.

The problem/blessing with my illnesses is that they are unseen by the naked eye. “But you look fine,” is the response, as if arguing with me would help. I was going to write my behind-the-scenes story in the Island Times. I talked with a friend about it — a friend who I had “iguana-sat” for during a time of deep depression, where basically the “iguana” saved my life because I had to feed it every day and felt responsible for it, and was therefore not free to commit suicide. The friend was scared of being exposed on the island and advised me to not tell my story publicly. I didn’t. That is the kind of stigma that exists with disability.

I got to go to Hawaii because of a cat. They have quarantine rules and a friend moved there, and was delayed in bringing her cat and asked if I could escort him and stay for six weeks. I didn’t blink twice before saying yes. It was beyond my wildest expectations. Some friends gave me mad money and the deal was that I couldn’t do anything responsible with it, so when I was in Kauai I went for a helicopter ride, in the front seat, right next to the pilot, and you could look straight down. I wanted him to teach me to fly. I was so jazzed. Oh, the cliffs, the valleys, the ocean, the waterfalls, the rainbows. It was magnificent. It was absolutely the most amazing experience in my life. Even better than in my dreams.

The librarian on the island asked me to sit with an elder. So I started sitting with older islanders, and it was wonderful. They told me stories. I lived on the front of the island by the ferry boat slip, a great view. I bought a camera and took pictures of the sunsets.

I was frustrated. I wanted to somehow capture the elders’ stories and share them. I went to an exhibit of black and white photographs and storyboards. My heart lit up with a flame so intense. I had never experienced that before. I knew what to do. I spoke with our little art gallery on the island about doing an exhibit. I spoke with the Island Times about doing a column to advertise for the exhibit. At the June exhibit everyone asked, “Where’s the book?” So that began another journey. Mind you, I could only work a maximum of three hours a day. And I would have bouts of depression throughout. And bouts of freaked-out-ed-ness. I leaned on my friends and the community to help me. I busily interviewed and photographed islanders for another two years. Another gallery on the mainland offered to host the book launch/exhibit. In June of 2010 the book launched. By August it sold out. It’s now in its second printing. I never started out thinking I would write a book. If someone had told me that, I never would’ve started. I would have been too scared. Even as I write this today on Christmas Eve 2010, I have friends who are coming to help me clean my little 18 x 18 home next week because I cannot manage it on my own.

This project was such a community effort. This island has given me so much. When I first got here I was amazed at its kindness towards me. I was broken and it loved me. So I wanted to give back by doing this project. I was surprised to find that again I was the receiver. As I sat and listened to the stories of my “lovies” as I called them, they taught me. Some of them have limited lives, pain, memory loss, reliance on others for care. I learned how to live my life fuller. I learned grace, courage, and how to have a twinkle in my eye. My chronic fatigue syndrome and depression limit me, but I can choose to live as fully as I want within those windows and be thankful. One thing we all do is get old. We can be wise to learn how to live our lives now.

“What’s your next project?” I hated that question more than anything. I hadn’t been able to do anything for ten years and could hardly stand up, let alone conceive of doing anything else for the rest of my life. Nobody really knew what toll this had taken on me, but I present well. My pat answer became, “I’m going to take a lot of naps,” which I did until I went into a major depression for the beautiful month of August. I don’t have seasonal affective disorder. I can be perfectly miserable in gorgeous weather and happy as a clam in the bitter cold or damp fog or pouring rain. That’s clinical depression.

“How are you?” Another hated and seemingly innocuous question. The simple answer is F–I–N–E. F**ked up, insecure, neurotic, emotional. Most friends really don’t want the long answer. This way I can simply smile and be honest gracefully.

I still have chronic fatigue syndrome. I still have fibromyalgia. I still have bipolar. I manage them. They don’t manage me. They are a part of the package instead of who I am. I’ve learned to live alongside them, as esteemed companions, my teachers. Step by step, thought by thought, moment by moment. A little flame, follow it. Lessons of the night. I have this very simple view of life now. The good and bad come and go. Don’t hold onto anything. I love the moment. Every bit of it. That’s all I have. Heart wide open. It doesn’t matter if someone kicks you; just point yourself in the direction you want to go. As far as god, I don’t know. How can there not be?

The edges of the night are the best. Sunset, when the light slips below the horizon. That one moment taking the light over the rim of the earth, and rest comes. After which, the colors swell and dreams begin.

Fran Houston
Peaks Island, Maine
December 2010

 

Postscript

This was the first piece I ever wrote, and chronicles some of my journey of illness and how my creative endeavor helped me emerge from the hole, to know and experience a bigger life of possibility and change. Months after it was written I experienced my most delirious mania, followed by the most hellacious depression ever. Thankfully I had a hand to hold.

 

Photo by Tyler Clemmensen at Unsplash.